Jane Burton Taylor
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forest (2024)

Collaboration between Annelies Jahn and Jane Burton Taylor​

graphite and charcoal rubbings on ink dyed silk; 135cm X 450cm each, eight in all
Forest explores colonialism’s impact on Australian bio-diversity. In the  work, the artists have undertaken giant graphite and charcoal rubbings from an Angophera Forest in North Sydney, on the traditional lands of the Cammeraygal people. This work involves an intimate engagement with, and a celebration of, the indigenous natural world, still surviving in pockets of remnant bushland, despite the massive and ongoing impact of white settlement.  The oversized drawings are set into ink-dyed lengths of silk. The trees are life size, so resonate a personal relationship to viewers, but simultaneously, dwarf their human counterparts, reversing the usual hierarchy.
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  • Home
  • Artworks
    • Re-Wilding
    • Flight >
      • Corban & Blair
    • Forest
    • Bed Chamber
    • Les Sculptures Refusee Residency and Exhibition
    • Not Terra Nullius >
      • Not Terra Nullius
      • Not Terra Nullius 11
    • Redeeming Love
    • Colonial Sampler series >
      • Diary sampler
      • Artefact of Colonialism
      • my mother told me
      • Colonial Legacy
    • Wallpaper Series >
      • Wallpaper
      • Wallpaper - After Agnes
      • Court House Wallpaper
      • Parliament House Wallpaper
      • The Meadows Wallpaper
    • Bearing Witness
    • Tethered
    • Callan Park Rainforest Gully Installation
    • Project Anywhere
    • Frolic Freeze
    • Lost Threads
    • Palmyra
    • Territory >
      • Territory
      • Territory (II)
    • Grace
    • Water Room
    • Convict Wall
    • The Field
    • Call of the Wild
    • Grove
    • Earth
    • First Contact
    • Clean Washing
    • Architectural works
    • Residencies >
      • Primrose Park
      • Coal Loader
  • Bio
  • Contact